Traditional pottery in Kyaukmyaung, Sagaing Division

Few countries can boast as many perfectly preserved **traditional crafts **as Myanmar. Despite the rapid modernization, many commodities are still produced by hand there, using age-old techniques. **Pottery **is among the most prominent of those - there are large **artisan **communities in every corner of the country. And the **pottery **factories in Kyaukmyaung, Sagaing Division, may be considered double-**traditional. **In essence, not only the process is entirely manual, but the wares made are also old-school: large water jars, used in households with no plumbing. While easily accessible from Mandalay, the **manufactures **are never visited by tourists. Burmese people are deservedly known for their hospitality, however, and in off the beaten track locations like this, natural **curiosity **enhances it. Come and see them at work.

Too good for commerce

The demand for **Kyaukmyaung **jars in Myanmar is high enough to support four large co-operative **manufactures **and a changing number of small private workshops. Curiously, one of the main factors undermining this demand is the superior quality of the jars. They are sturdy and durable enough to serve a family for generations, with no need to purchase new ones. It makes you reconsider the common Western policy of making every commodity item a bit flawed and not easy to repair so that you would have to replace it soon, does it not? It is sufficient to say that the **pottery **business in **Kyaukmyaung **was on the decline in recent decades (plastic vessels and plumbing contributing to this as well) until the Cyclone Nargis arrived in 2008 and shattered enough of the old jars and newly built piping to kick-start the sales again.

Red and yellow

**Pottery craft **in **Kyaukmyaung **has been preserved and developed for centuries. Two types of clay are combined to produce the jars: red from the bottom of Irrawady River, and yellow from a separate natural deposit. The process of **manufacturing **the vessels is sophisticated and entirely manual. First, half of the jar is thrown on a wheel, usually by two people, since the jars are too big for one man both to spin the wheel and reach into the rising cylinder of clay. Next, it is dried, often by putting hot embers inside the vessel to augment the heat of the sun. The process is then repeated to complete the jar. The glaze is applied with a brush once the clay dries. Finally, the ready items are placed in the kilns and fired with wood. About 80 jars can be fired at once, but since they take a long time to finish, 4 big kilns cope well with the load.

Practicalities

Getting to **Kyaukmyaung **is relatively straightforward: take a bus or a train from Mandalay to Shwebo town, also in Sagaing Division, that has a few simple hotels. Stay the night, then hire a motorbike taxi to take you to Kyaukmyaung, or hitchhike there. Work in the **pottery **factories finishes in mid-afternoon, making an overnight stay in Shwebo preferable, but if you have your own wheels, it can be managed as a day trip from Mandalay, too. The **artisans **are friendly and curious, they have not seen many Western **tourists **yet, so you can wonder around freely even if you do not speak Burmese - and if you do, they may share a few secrets of their traditional craft.